This was posted 19 hours ago. It has 1 note. .

merzbow-derek:

1967 | La Chinoise | Jean-Luc Godard

(Source: filmandimage)

This was posted 4 days ago. It has 53 notes.
nearlya:

Steven Parrino. Hell’s Angels, acrylic on canvas

nearlya:

Steven Parrino. Hell’s Angels, acrylic on canvas

This was posted 4 days ago. It has 132 notes. .
This was posted 5 days ago. It has 2 notes. .
babypleasebaby:

babypleasebaby:

(via uuiuu)

This was posted 6 days ago. It has 188 notes. .

heilbron:

Tom Krol and Alex Heilbron and Lucky’s Comics and Gallery. 
Vancouver, BC

This was posted 6 days ago. It has 24 notes.
jesuisperdu:

Roland Sabatier, hypergraphic photograph, excerpt from the novel Gaffe au golf, 1964.
“Hypergraphy” is an artistic practice developed by the Lettrist avant-garde in the 1950′s. They defined it as “introducing into alphabetic writing not only the art of painting, but the graphics of all people or social categories past and present, as well as the graphics or anti-graphics of every individual imagination”.
By means of a timeline drawn by artist Roland Sabatier, the exhibition Rules of Hypergraphy– a project by Paul Gangloff, September 26 to October 5, Extrapool, Nijmegen – shows how the Lettrists situated hypergraphy within the history of writing and painting. It further assembles works by turntablist Marc Matter, (typo)graphic designer Karl Nawrot, graphic designers Our Polite Society and sound poet Jörg Piringer, each of them exemplifying uses of signs and letters that goes beyond writing.The accompanying publication works as a subtext for the exhibition. It provides further insight into the concept of hypergraphy, but also prolongs the investigation by taking a detour into the relation between the Lettrists and the punks.

jesuisperdu:

Roland Sabatier, hypergraphic photograph, excerpt from the novel Gaffe au golf, 1964.

“Hypergraphy” is an artistic practice developed by the Lettrist avant-garde in the 1950′s. They defined it as “introducing into alphabetic writing not only the art of painting, but the graphics of all people or social categories past and present, as well as the graphics or anti-graphics of every individual imagination”.


By means of a timeline drawn by artist Roland Sabatier, the exhibition Rules of Hypergraphy– a project by Paul Gangloff, September 26 to October 5, Extrapool, Nijmegen – shows how the Lettrists situated hypergraphy within the history of writing and painting. It further assembles works by turntablist Marc Matter, (typo)graphic designer Karl Nawrot, graphic designers Our Polite Society and sound poet Jörg Piringer, each of them exemplifying uses of signs and letters that goes beyond writing.
The accompanying publication works as a subtext for the exhibition. It provides further insight into the concept of hypergraphy, but also prolongs the investigation by taking a detour into the relation between the Lettrists and the punks.

(via artisloveisgod)

This was posted 6 days ago. It has 143 notes. .

ascetichouse:

Early Pigeon Religion flyers in chronological order. 

This was posted 1 week ago. It has 77 notes.

(Source: miss-catastrofes-naturales, via nixonpartyhat)

This was posted 1 week ago. It has 634 notes. .

(Source: nikholis)

This was posted 1 week ago. It has 19 notes. .
thatsbutterbaby:

Joseph Beuys,  Untitled, 1963

thatsbutterbaby:

Joseph Beuys,  Untitled, 1963

(via truebes)

This was posted 1 week ago. It has 181 notes. .
wssf417:

52 pages / available at NYABF

wssf417:

52 pages / available at NYABF

This was posted 1 week ago. It has 27 notes. .

nonrockandroll:

This was posted 1 week ago. It has 15 notes.
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This was posted 1 week ago. It has 1 note. .